Sunday, 17 July 2022

An Astrologer's Day

             Introducation

This is a response of thinking activity on short stories of R.K Narayan. In this blog I have wrote about ‘’An Astrologer’s Day. Which  is based on malgudi days

 

About Writer



Life is about making right things and  what going on.    :R.K.Narayan

 R. K. Narayan was born on 10 October 1906 and passed away in 2001. In his long career he published fourteen novels, over two hundred short stories, a memoir, two travel books, innumerable essays, and two plays. His first novel was Swami and Friends (1935). His last published work was Grandmother's Tale (1992), which in many ways reinforced the concerns and motifs of his writing in his long career—themes like exile and return, education , woman and her status in the society, myths and the ancient Indian past, tradition and modernity, Malgudi and its culture, appearance and reality, the family and so on. These have been Narayan's consistent concerns in a career spanning over nearly seventy years. In this deep ploughing of a small plot of literary land, Narayan almost resembles Jane Austen who too, in a somewhat shorter career, painted in varying colours a small canvas of quintessential English life and manners. While the range of Austen or Narayan may be small, their depth places them in the ranks of the truly great novelists of their times. Perhaps no special case needs to be made for Austen because of the enormous scholarship on her. One might however need to highlight Narayan's excellences. In our postmodernist times a writer like him, who is not obscure, difficult or dense in his writings, is likely to be less in favour, though recent scholarship has begun to evaluate him in post-colonial-post-modern terms.

 

Works of R.K.Narayan


·   T Guide by R.K. Narayan, Michael Gorra (Introduction)

·   The Ramayana: A Shortened Modern Prose Version of the Indian Epic by R.K. NarayanW

 

What is short  Story?

short story, brief fictional prose narrative that is shorter than a novel and that usually deals with only a few characters.

The short story is usually concerned with a single effect conveyed in only one or a few significant episodes or scenes. The form encourages economy of setting, concise narrative, and the omission of a complex plot; character is disclosed in action and dramatic encounter but is seldom fully developed. Despite its relatively limited scope, though, a short story is often judged by its ability to provide a “complete” or satisfying treatment of its characters and subject.

About An Astrologer’s Day


"An Astrologer's Day" is a thriller, suspense story which describes a day in the life of an ordinary but fake astrologer. The main character here in this story is an astrologer who is unnamed.


 

Characters in Astrologer’s Day

Astrologer

Guru Nayak

Wife of astrologer

 

Summary of an astrologer’s day




The story begins with a description of the place and environment in which the astrologer meets his clients and does his work. He begins his work every day at midday in a public place under a large tree that is close to a public park in his town. The place chosen for his work is generally full of people who pass by or gather there, such as customers attracted by vendors of nuts, sweetmeats, and other snacks. It is a place poorly lighted in the evening, and because the astrologer has no light of his own, he must depend on what light comes from the flickering lamps kept by neighboring vendors; a dully lighted, murky place is best for his purpose. He is not an astrologer by profession but was led into it by circumstances that forced him to leave his village, where, if he had stayed, he would have settled down to a life of tilling the land.

 

He has a practical knowledge of the common problems of most people: “marriage, money, and the tangles of human ties.” His sharp eyes, used to scanning for customers, make people believe he has an unusual ability to tell people’s fortunes.

“An Astrologer’s Day” opens as its title character arrives at his workplace, at midday, and as usual spreads his charts and other fortune-telling props before him, though no one comes seeking his aid for many hours. Later, with nightfall approaching, he begins preparing to go home when, all of a sudden, he beholds a man standing in front of him. In the exchange of talk that ensues, the astrologer carefully tries to spread the net of his craft around the client, and the client, Guru Nayak, responds with a challenge: Would the astrologer tell him whether he, Guru Nayak, will be successful in a search he is carrying out, returning double the fee he has paid if the prediction cannot be made? The astrologer alternately accepts, declines, and feigns indifference, all the more to whet Nayak’s appetite and make him press his offer. The astrologer then catches a glimpse of Nayak’s face (previously shrouded in darkness) in the light of the match Nayak has struck under his cheroot, and, though at first chilled by the sight, decides to play out Nayak’s game: The astrologer tells him that he was once left for dead by another man, who had attacked him with a knife; Nayak, astonished, bares his chest to show the scar and wants to know if his assailant is alive. The astrologer, addressing him by name (to his further surprise), adds that his assailant is now dead and that he, Guru Nayak, should go back to his village and live out his life peacefully. To placate the still angry Nayak, who demands to know if the assailant met the kind of death he deserved, the astrologer replies that he was crushed under a lorry (truck). Nayak pays him the fee and hurriedly departs. The astrologer returns home late to his anxious wife and gives her the money he earned that day, adding that it all came from one client. The wife is happy but notices a slightly changed expression on her husband’s face; she asks him if there is something wrong. “Nothing,” he says but after dinner tells her that he is relieved that the man he thought he killed in a drunken brawl many years earlier is, in fact, alive. He says that it is late and goes to sleep on a pyol (mat).

For the better understanding of story we had watch a movie (an adoption of the original story )related to this movie


 we are asked for several question as a part of task. Here I wrote answer of those question as per my understanding.

Questions

1.    How faithful is the movie to the original short story?
Movie is completely faithful to the original short story.

There is some changes like when we read original story there is description like he wore saffron turbon but when we watch a movie there is nothing like it.in the original short story astrologer says it is time to sleep. When in the movie there is nothing like it. Before the astrologer sleeps he stretches himself in the movie in the original text there is nothing like it.

2.After Watching movie has your perception of short story, characters , situation has changed?

Yes, of course before watching movie I believe that in the short story the moral is only one and it is As you sow, so you reap but in this movie it wasn’t happened at all. Although  astrologer did wrong deed. He doesn’t  got punish so this perception is change here.

3.Do you find aesthic  delight while  watching the movie? If yes when did it happens ? if no then explain with reasons.

No, I did not found an  aesthic  delight because there is no particular climax scene by which  it feels like aesthic delight. When watching movie it is only delight not an aesthic delight.

 

4.Does the movie screening help you for better understanding of the movie?

Yes, the movie screeing helping us for better understanding of movie.by the movie screening we get a chance to see the gesture, posture of a character their speech as well as background of the character. When in the text it doesn’t happen

 

 

 

 

 

 

 

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